![]() Getting to Salinger and the crux of the season takes a full four episodes, thanks to unnecessary subplots that focus on things like Jeri Hogarth (Carrie-Anne Moss) and her law firm. Once again, Jessica Jones insists on stretching its season to 13 episodes, despite a main narrative that could’ve been depicted in half of that time. The idea is interesting in theory, but its execution suffers from familiar problems that have plagued the Marvel-Netflix universe since its inception. Rather, Jessica has to consider the moral cost between taking Salinger down through the justice system by gathering evidence, or putting matters into her own hands by fully embracing vigilantism. Salinger doesn’t have any powers-he’s just really good at covering his tracks, legally speaking-so he doesn’t exactly pose a threat in a straight-up fight. ‘Marriage Rescue’ Is Couples Counseling With Volume And Vulgarity The Problem With IMDb’s Rating SystemĮventually, the central conflict of the third season is revealed: Jessica’s squaring off against an accomplished serial killer named Gregory Salinger (Jeremy Bobb). But after bringing someone over for a one-night stand, Jessica is stabbed by a masked assailant and hospitalized, a mysterious attack that precipitates some old-fashioned detective work-along with providing Jessica a platform to throw more humans across the room like they’re made of Styrofoam. The season begins with Jessica back to her usual habits, albeit now estranged from her best friend Trish Walker (Rachael Taylor), whom she understandably hasn’t quite forgiven for killing her mother at the end of Season 2. Jessica Jones’s third and final season, now streaming on Netflix, tries to balance the scales with a greater emphasis on Jessica doing what she (theoretically) does best: investigating. While admirable, that meant focusing more on the personal than the professional. ![]() While the second season wasn’t as strong as the first, both were intimate, introspective stories concerned with how Jessica’s traumatic past affected her misanthropy, and the moral implications of being a hero and a nihilist. ![]() Following a lengthy hiatus as the Netflix-Marvel universe expanded with other series like Iron Fist and Luke Cage, Season 2 once again made things personal, as Jessica reckoned with the return of her presumably deceased mother (Janet McTeer), who became prone to Hulk-esque outbursts of rage after being experimented on. The strong, Peabody-winning first season saw Jessica confront her literal mind-controlling abuser, Kilgrave (a terrifically insidious David Tennant), before he could inflict more pain on unsuspecting victims, primarily women. Of course, detective work-and the on-again, off-again noir aesthetic that comes with it-has never been the true aim of Jessica Jones, a series largely focused on trauma and how it can reverberate throughout someone’s life. You can look her up online, and even request her services. She doesn’t hide behind a mask or live a double life. She isn’t a vigilante beating the crap out of bad guys while masquerading as a lawyer she’s a private investigator, and her powers-broadly speaking, heightened strength and a God-level tolerance of Jameson-are part of that package. (To be fair: He’s technically blind.)īut among the Netflix-Marvel heroes, Jessica Jones (played by Krysten Ritter) has always seemed the most grounded in realism. Which is why it’s fine, for instance, that Daredevil-the guardian of the Hell’s Kitchen neighborhood-seemed to either consider the entirety of Manhattan as his playground or to grossly overestimate how big Hell’s Kitchen actually was. Despite being a grittier, more grounded alternative to the CGI-aided extravagance of the Marvel Cinematic Universe, the shows still focused on superpowered humans (and one traumatized veteran with a penchant for firearms) dealing with foes that, while less apocalyptic than Thanos, weren’t exactly petty thieves. ![]() Shows set in New York City don’t normally adhere to real life-shout-out the absurdly large, somehow rent-controlled apartment in Friends-and that axiom certainly goes for the Netflix-Marvel television universe. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |